WISER publications
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Filters: Author is Nuttall, Sarah [Clear All Filters]
Reading for Water. Interventions. 2022;24:303-322.
On Pluviality: Reading for Rain in Namwali Serpell’s The Old Drift. Interventions. 2021:1-17.
The Time Sea. Wasafiri. 2021;36:13-21.
. In: Anxious Joburg: The inner lives of a global South city. NYU Press; 2020.
Pluvial Time/Wet Form. New Literary History. 2020;51:455-472.
Pluvial Time/Wet Form. New Literary History. 2020;51:455-472.
Afterword: the shock of the new old. Social Dynamics. 2019;45:280-285.
Pluvial Time, Ocean Ontologies and the Heterochronicity of the Present. English Studies in Africa. 2019;62:28-39.
Nollywood Portraits: A Radical Beauty. Skira; 2017.
Public Intimacy: Art and Other Ordinary Acts in South Africa. Hertz B-S, Smigiel F, Willsdon D, editors. San Francisco: Yerba Buena Center for the Arts; 2016.
Mandela’s Mortality. In: Barnard R, editor. The Cambridge companion to Nelson Mandela. Cambridge University Press; 2014. 2. p. 267-290p.
Introduction : Private lives and public cultures in South Africa. Cultural Studies. 2013;27:307-332.
Wound, Surface, Skin. Cultural Studies. 2013;27:418-437.
The humanities unplugged. Social Dynamics. 2012;38:20-25.
The Rise of the Surface: Theorising New Directions for Reading and Criticism in South Africa. In: Print, Text and Book Cultures in South Africa. Johannesburg: Wits University Press; 2012. 4. p. 408-421p.
violencia, re-composición, superficie: cultura visual en johannesburgo. In: estética y violencia: necropolÍtica, militarización y vidas lloradas. Mexico City: {MUAC}; 2012.
The Invisible City: Surfaces and Underneaths in Ivan Vladislavić's 'Portrait with Keys'. In: Marginal Spaces: Reading Ivan Vladislavić. Johannesburg: Wits University Press; 2011.
Penny Siopis’s scripted bodies and the limits of alterity. Social Dynamics. 2011;37:289-298.
Self Styling. In: Global Visual Cultures: An Anthology. Wiley-Blackwell; 2011.
An unrecoverable strangeness: some reflections on selfhood and otherness in South African art. Critical Arts. 2010;24:457-466.
At Risk: Writing on and over the Edge of Souh Africa. McGregor L, Nuttall S, editors. Jonathan Ball Publishers; 2009.
Entanglement: Literary and Cultural Reflections on Post-apartheid. Witwatersrand University Press; 2009.
Load-Shedding: Writing on and over the edge of South Africa. Jonathan Ball Publishing; 2009.
On Photography, Proximity, and Indifference. Art South Africa. 2009;8:9.
About Beauty. Nka: Journal of Contemporary African Art. 2008;22:136-145.
I Love You, I Hate You. In: Load Shedding. Johannesburg: Jonathan Ball; 2008.
Introduction: Afropolis. In: Johannesburg: The Elusive Metropolis. Durham, North Carolina: Duke University Press; 2008. 1. p. 1-36p. (Public Culture).
Johannesburg: The Elusive Metropolis. Durham: Duke University Press; 2008.
Literary City. In: Johannesburg: The Elusive Metropolis. Durham, North Carolina: Duke University Press; 2008. 1. p. 195-220p. (Public Culture).
Stylizing the Self. In: Johannesburg: The Elusive Metropolis. Durham, North Carolina: Duke University Press; 2008. (Public Culture).
Afropolis: From Johannesburg. {PMLA}. 2007;122:281-288.
At Risk: Writing on and Over the Edge of South Africa. Johannesburg: Jonathan Ball; 2007.
Beautiful/Ugly: African and Diaspora Aesthetics. Durham, North Carolina: Duke University Press; 2007.
Rethinking Beauty. In: {Beautiful/Ugly:} African and Diaspora Aesthetics. Durham, North Carolina: Duke University Press; 2007. 6. p. 6-29p.
Youth Cultures of Consumption in Johannesburg. In: Youth Moves: Identities and Education in Global Perspective. New York: Routledge; 2007. (Critical Youth Studies).
A Politics of the Emergent: Cultural Studies in South Africa. Theory, Culture & Society. 2006;23:263-278.
What the Blood Remembers. In: At Risk. Johannesburg: Jonathan Ball; 2006.
A Blasé Attitude: A Response to Michael Watts. Public Culture. 2005;17:193-202.
The Shock of Beauty: Penny Siopis' Pinky Pinky and Shame Series. In: Penny Siopis. Johannesburg: Goodman Gallery Editions; 2005.