WISER publications
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Filters: Author is Nuttall, Sarah [Clear All Filters]
Introduction: Southern Lodestar: Isabel Hofmeyr’s Life and Work." In Reading from the South: African print cultures and oceanic turns in Isabel Hofmeyr’s work, 1-32. Johannesburg: Wits University Press, 2023.
"The redistributed university." Southern African Review of Education 28 (2023): 87-101.
"Reading for Water." Interventions 24 (2022): 303-322.
"On Pluviality: Reading for Rain in Namwali Serpell’s The Old Drift." Interventions (2021): 1-17.
"The Time Sea." Wasafiri 36 (2021): 13-21.
" In Anxious Joburg: The inner lives of a global South city. NYU Press, 2020.
Pluvial Time/Wet Form." New Literary History 51 (2020): 455-472.
"Pluvial Time/Wet Form." New Literary History 51 (2020): 455-472.
"Afterword: the shock of the new old." Social Dynamics 45 (2019): 280-285.
"Pluvial Time, Ocean Ontologies and the Heterochronicity of the Present." English Studies in Africa 62 (2019): 28-39.
"Upsurge." In Acts of Transgression: Contemporary Live Art in South Africa, edited by Jay Pather and Catherine Boulle, 41-59. NYU Press, 2019.
"Nollywood Portraits: A Radical Beauty. Skira, 2017.
Public Intimacy: Art and Other Ordinary Acts in South Africa, Edited by Betti-Sue Hertz, Frank Smigiel and Dominic Willsdon. San Francisco: Yerba Buena Center for the Arts, 2016.
Mandela’s Mortality." In The Cambridge companion to Nelson Mandela, edited by Rita Barnard, 267-290. Cambridge University Press, 2014.
"Introduction : Private lives and public cultures in South Africa." Cultural Studies 27 (2013): 307-332.
"Wound, Surface, Skin." Cultural Studies 27 (2013): 418-437.
"The humanities unplugged." Social Dynamics 38 (2012): 20-25.
"The Rise of the Surface: Theorising New Directions for Reading and Criticism in South Africa." In Print, Text and Book Cultures in South Africa, 408-421. Johannesburg: Wits University Press, 2012.
"violencia, re-composición, superficie: cultura visual en johannesburgo." In estética y violencia: necropolÍtica, militarización y vidas lloradas. Mexico City: {MUAC}, 2012.
"The Invisible City: Surfaces and Underneaths in Ivan Vladislavić's 'Portrait with Keys'." In Marginal Spaces: Reading Ivan Vladislavić. Johannesburg: Wits University Press, 2011.
"Penny Siopis’s scripted bodies and the limits of alterity." Social Dynamics 37 (2011): 289-298.
"Self Styling." In Global Visual Cultures: An Anthology. Wiley-Blackwell, 2011.
"An unrecoverable strangeness: some reflections on selfhood and otherness in South African art." Critical Arts 24 (2010): 457-466.
"At Risk: Writing on and over the Edge of Souh Africa, Edited by Liz McGregor and Sarah Nuttall. Jonathan Ball Publishers, 2009.
Entanglement: Literary and Cultural Reflections on Post-apartheid. Witwatersrand University Press, 2009.
Load-Shedding: Writing on and over the edge of South Africa. Jonathan Ball Publishing, 2009.
On Photography, Proximity, and Indifference." Art South Africa 8 (2009): 9.
"About Beauty." Nka: Journal of Contemporary African Art 22 (2008): 136-145.
"I Love You, I Hate You." In Load Shedding. Johannesburg: Jonathan Ball, 2008.
"Introduction: Afropolis." In Johannesburg: The Elusive Metropolis, 1-36. Public Culture. Durham, North Carolina: Duke University Press, 2008.
"Johannesburg: The Elusive Metropolis. Durham: Duke University Press, 2008.
Literary City." In Johannesburg: The Elusive Metropolis, 195-220. Public Culture. Durham, North Carolina: Duke University Press, 2008.
"Stylizing the Self." In Johannesburg: The Elusive Metropolis. Public Culture. Durham, North Carolina: Duke University Press, 2008.
"Afropolis: From Johannesburg." {PMLA} 122 (2007): 281-288.
"At Risk: Writing on and Over the Edge of South Africa. Johannesburg: Jonathan Ball, 2007.
Beautiful/Ugly: African and Diaspora Aesthetics. Durham, North Carolina: Duke University Press, 2007.
Rethinking Beauty." In {Beautiful/Ugly:} African and Diaspora Aesthetics, 6-29. Durham, North Carolina: Duke University Press, 2007.
"Youth Cultures of Consumption in Johannesburg." In Youth Moves: Identities and Education in Global Perspective. Critical Youth Studies. New York: Routledge, 2007.
"A Politics of the Emergent: Cultural Studies in South Africa." Theory, Culture & Society 23 (2006): 263-278.
"What the Blood Remembers." In At Risk. Johannesburg: Jonathan Ball, 2006.
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